|green bean & wordstock||September 24th, 2013|
After getting home from three weeks in LA, I have a couple events unfolding in the Portland area.
1) The local launch for First Second’s FAIRY TALE COMICS with cartoonist (and Laika storyboarder) Graham Annable at GREEN BEAN BOOKS. 1 PM on Saturday, September 28th (1600 NE Alberta Street, Portland). More on that anthology – a sequel of sorts to NURSERY RHYME COMICS – here.
2) A two-way stage conversation between Gene Yang and I to scour the crossover themes of our coming-of-age memoirs (AMERICAN BORN CHINESE) and historical, religious epics (BOXERS & SAINTS) at the WORDSTOCK literary festival. 3 pm, October 5th, Oregon Convention Center.
Hope to see you locals there!
|space dumplins||December 20th, 2012|
My upcoming all-ages book has been officially announced. It’s titled SPACE DUMPLINS and will be published by Scholastic. I want it to work like a Pixar film — fun & appealing to the youngsters, while simultaneously fulfilling to you, my faithful readers.
The bad news is that I haven’t drawn any new pages since the last blog-posting, because of a hand injury. Prohibited from drawing, I’ve been obsessively combing over the thumbnail draft, thus further applying the Pixar model of endless rewrites. My New Year’s plan is to take off the splint and leap back on the drawing wagon. And the book will keep me busy through all of 2013. Aiming for a 2014 release.
Finally, if you’re looking for last-last-minute holiday gifts, there’s still a limited amount of oversized HABIBI screenprints available at CRACK PRESS. Season’s greetings, Blog-friends! Thanks for checking in throughout the year (despite my infrequent posts). And thanks for making it to any of the HABIBI tour events!
|salam à la comics||October 1st, 2012|
My trip to Jordan turned out to be was the most fulfilling possible conclusion to HABIBI book tour. It was hosted by the US Embassy in Amman; worth noting as a reminder that our government cares about the arts (and graphic novels!) and sees them as a vehicle for cultural exchange. This turned out, however, to be a difficult & chaotic time for US Embassies in the Middle East, beginning with the attacks in Libya. It was an unsettling surprise, two days after my arrival, to learn that HABIBI was on the banned books list. And it was surreal to be ferried around in an armored vehicle, past security checkpoints, to roomfuls of adorable children brimming with creative energy, while elsewhere in the region, violence was breaking out over an internet video.
During a two week stay, I conducted graphic novel workshops to three entirely different groups, each with their own inspiring dynamics. The first were deaf children (ages 5 – 20) at The Holy Land Institute for the Deaf in Salt, Jordan. These kids were a bit baffled by the concept of comics (perhaps even drawing) on the first day of classes, but by the third day, they were churning out comics with wild abandon. The institute is a boarding school, and the theme of missing one’s family was a common one in many of their stories, but the concurrent theme was that of gratitude towards finding an extended family they could actually communicate with.
Through comics, these kids proved quite eloquent with word balloons, sound effects and visual music. My favorite exercise was a pairing up of students – boy/girl, young/old – in which one student signed a story and the other translated it into comics form on a board in front of the class.
The second batch of workshops was with inner city youth – teens and university students – at the Princess Basma Youth Resource Center Computer Clubhouse. They channeled passions for music, graffiti, writing, architecture, and even computers into comics pages, collaborating on an anthology conceived and drawn in only three days — a pretty impressive display of constructive teamwork. If only I’d been so focused at that age! The girls (above left) are refugees from Syria and amazingly prolific cartoonists. They talked of creating a graphic novel to document their experience fleeing their war-torn homeland. The world needs this book to exist!
In the final workshops (below) held at Mlabbas – a hipster t-shirt shop on Rainbow Street in Amman – we gathered professional artists with specific interest in graphic novels. It was refreshing to be around like-minded, similar-aged peers without a language barrier, and also to witness the outset of a burgeoning comics scene. Every single meal we shared was an AMAZING FEAST! The media paints a bleak outlook for the region, but there is a visceral optimism around the arts and self-expression and the medium of comics.
Finally, despite the banning, we were able to organize a bookstore signing where I met HABIBI fans from Jordan, Palestine, Syria, and Iraq. These two fans (below right) had only recently left their homes in Iraq. Readers found the book’s ban quite arbitrary, and felt it corresponded with a time of public frustration towards increasing government censorship in Jordan. Many Muslim readers thanked me specifically for the reverent depiction of their faith in HABIBI.
At the Holy Land Institute in Salt, there were children who were not only deaf, but blind. They and their teachers labored so intently, against all odds, towards dialogue and understanding. Humans need communication. Art is a privilege, a great responsibility, and a necessity.
Thank you to the US Embassy and to their program that has represented music, theater, and dance for specifically requesting a graphic novelist this time around. And thank you to all my amazing new friends in Jordan for their generosity and inspiration. Keep making comics!
In other news, thank you, Blog-readers for the birthday wishes. And thank you to those I met at the National Book Festival in Washington DC, the official end-cap to touring. Special congratulations to Mike who proposed and Becky who accepted while waiting in line for the signing. The engagement ring was embedded in a carved out copy of BLANKETS!
|air jordan||September 4th, 2012|
It’s been a full year of touring with HABIBI, and this week takes me to what feels like a pinnacle – the Hashemite Kingdom of Jordan. While there, I’ll be conducting comics workshops with deaf children at the Holy Land Institute in Salt city, youth at the Princess Basma Youth Resource Center in Amman, and an elite group of Jordanian graphic novelists. This promises to be a life-changing experience; and I’ll be sure to bring home drawings/stories for the blog.
Enticing invites keep pouring in from all over the world; but I’m feeling growing pressure and obligation to get home to the drawing board and start producing new comics pages! My plan is to travel nowhere for October – my first month of not flying since this time last year.
|stormtroopers, flomgart & gluten-free beer||July 9th, 2012|
Thanks for the reminder, Jordi! The all-ages book is progressing, but still in its secret stages. What I can reveal is that I got last minute tickets to attend San Diego Comic-con this week. At 10:30 am on Friday, July 13th, I’ll be signing at the Top Shelf booth (#1721). That night, I’ll certainly be attending the Eisner Awards. And on Saturday the 14th, from 10am – noon, I’ll be presenting a writers’ workshop on ‘World-Building’ at TR!CKSTER (795 J Street, San Diego, CA). My plan is to hang around TR!CKSTER quite a bit, where they’ll be selling a super-limited-edition HABIBI screenprint – handpulled by Portland printmaking superstar Pete McCracken.
Speaking of Portland superstars, cartoonist buddy & psychedelic visionary Theo Ellsworth (above) is leaving town; so we got together for one last drawing day, and crafted an afternoon jam comic (below). FLOMGART’S DEPARTURE is inspired by Chicago’s Trubble Club sessions. For other surreal, half-baked jams on this blog, revisit those with Aaron Renier, Fabio Moon, and my brother Phil.
|hi jack and hi at us||March 25th, 2012|
Thank you all for your patience while dootdootgarden was down. It was eaten to death by spam like a disease. Now it’s up-n-running on a more reliable server, and with a more professional name – craigthompsonbooks.com. Thank you, too, to those who brought the Twitter impostor to my attention. Finally dealt with that creepy pest. Work on new projects is shifting into a bit of a secretive stage; so in the meantime, here’s some treats from the HABIBI process vaults and my sketchbook.
Above left: a discarded page of HABIBI that was reworked into page 591 of the final book (right). Note that the sidewinding snake looks almost exactly the same, but is redrawn. And the narration becomes less clunky.
My next event is the Festival of Faith & Writing at Calvin College in Grand Rapids, Michigan — April 19th thru 21st. More on that soon.
|onde nouveaux deux||February 15th, 2012|
Continuing on the themes of last week’s post, you’ll find a link to my acceptance essay for the PNBA award which explains the Hokusai
Also, overlooked in that last post was a recap of London and Angoulême tour. London, as you know, is a charming city full
|new wave||February 3rd, 2012|
Home safe & sound, and desperate to take a break from travel for a while. My new babies are being neglected!
Next weekend is an easy jaunt to the Cannon Beach Book Company on the Oregon coast to give a talk and accept the Pacific Northwest Booksellers Association award. Saturday, February 11th, 2pm — actually held at the library across the street from the store. I chose the location, because CBBC is an impressive book shop that’s a comfort to peruse on a rainy day at the coast, but also because Cannon Beach is a spiritual sanctuary where I’ve been nourished by the ocean in the company of friends, sea lions, probably some sharks, and occasionally sun. This painting by my dear buddy Dan Attoe perfectly captures the magic of our cozy surf cove.
Here’s another glimpse of that beach from the earliest days of this blog, five years ago. Still a good mantra: “Goonies never say die.”
|tour resumes – london & angoulême||January 12th, 2012|
The adventure continues. Next week, I’ll finally make it to the UK – at least London – for some HABIBI events.
Then it’s on to the Festival International de la Bande Dessinee in the cozy and chilly village of Angoulême, France.
An explanation of these images : There’s many overt references to classic paintings planted in HABIBI – here’s one of my favorites,
|thousand and one thank yous||November 23rd, 2011|
Grateful to finally be home to Portland where a dear friend made this gift:
Big thanks to all of you who attended the HABIBI events. And thank you to everyone who’s supporting the book.